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It is ancient. It reaches back into mythology and is simultaneosly an object of itself. It is universal. Whether in Asia, Africa, Europe, North or South America: the drum existed and still exists on every continent. Percussion connects different parts of the world and at the same time separates them through the various uses and infinitely diverse forms of the instruments. To drum means nothing other than to imprint a division on the flow of time. No matter where someone is born or where one listens to music, percussion instruments are omnipresent.
Percussion! In this project, the musicians of the Collective SONIQ – Christina Fuchs, Jarry Singla and Ramesh Shotham – paid homage to the elemental force of rhythms and drums of this earth, to the origins of music.
SONIQ invited two outstanding musicians: The Moroccan Rhani Krija, one of the most sought-after international percussionists (world stars like Sting, Dominic Miller or Al Di Meola invite him regularly), and Stefan Bauer, a vibraphonist and marimba player from North Rhine-Westphalia, who has lived in New York City for a long time. He is active in a broad field between tradition and avant-garde. He has collaborated with jazz greats such as Kenny Wheeler, Adam Nussbaum and Charlie Mariano.
My collaboration with SONIQ in October 2020 was a thoroughly inspiring experience! In addition to the already wonderful collaboration with such individualistic musicians as Ramesh Shotham, Christina Fuchs and Jarry Singla, who had also integrated their own interesting pieces and concepts into this basic trio, the brilliant percussionist Rhani Krija was invited as a further guest. All in all, a high-level line-up, which we did justice to with a varied and yet homogeneous program (at least the feedback at our concerts testified to this). The thoughtful and respectful organization of the rehearsals, the concerts and the necessary ‘trappings’ helped to make the whole thing both a highly interesting and enjoyable affair . . . Thanks to SONIQ for a fulfilling moment!
„…..limitless curiosity….unbridled and spirited playing….. on the stage a lot of adventurous playing between equals…..genuine world-class musicians.“ (Stefan Pieper / Journalist)
Photos Stefan Bauer Volker Beushausen und Jürgen Bindrim
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Cuisine Acoustique: the German-Indian musicians’ Collective SONIQ invited the audience to cook together with the spectacular African musicians, Balafon player Aly Keita and the Kora player and singer Prince Moussa Cissokho.
Intuitively, and with mutual admiration, the SONIQ Collective and its African guests built soundscapes to bridge their diverse musical cultures. Acoustic delicacies were on the menu. Ingredients from the individual cultures were processed and traditional aromas shined through.
The aim was to create something not experienced before: something independent, fresh, authentic and beyond all stereotypes. SONIQ: Africa – haute cuisine to spread the spirit of cosmopolitan coexistence, which is impervious to all current trends of increasing nationalism and the exclusion of people.
“Everything was beautifully and professionally organised. I sensed a lot of love from the whole team. It was a real honour to work with you.”
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In the project “Voices” the encounter with diverse musical cultures served as an inspirational “breeding ground”. The artists who took part in this SONIQ project undertook the role of travellers who get inspired by new cultural surroundings, unlike tourists, who just scratch the surface of another culture.
SONIQ invited the avant-garde vocalist Mariana Sadovska, who is rooted in the Ukrainian tradition, the Moroccan singer and multi-instrumentalist Majid Bekkas and the Indian vocalist Sandhya Sanjana as guests for this exciting project “Voices”.
Photos by Uwe Bräutigam
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In order to broaden the artistic horizon of their projects and to reach out to audiences other than the typical concert audience, SONIQ developed a multi-disciplinary concept for the first time, titled “Dance”. For this project SONIQ invited the South Indian Bharatanatyam dancer Meera Varghese and the contemporary dancer Benedetta Reuter, whose original style spans modern dance and improvisation.
Photos by Andreas Bartels
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• Madras Special with Johannes Lemke, Sebastian Müller, Reza Askari, Ramesh Shotham
• Soniq Trio with Christina Fuchs, Jarry Singla, Ramesh Shotham
• Shatabdi Jarry Singla, Johannes Lemke
• Duo Hanschel / Shotham
• Keshavara
Ramesh Shotham is one of the Cologne music scene’s most inspiring personalities. Born and raised in Chennai, South India, the percussionist adopted Cologne as his home more than thirty years ago. In that time he has enriched the local music scene through collaborations with such musicians Charlie Mariano, Rabih Abou Khalil, Carla Bley, Steve Swallow, Jasper van’t Hof, Sigi Schwab, the WDR Bigband with Karnataka College of Percussion, and Wolfgang Niedecken.
In 2018 Ramesh, who this year was awarded the WDR Jazz Award, will celebrate his 70th birthday on stage at the Stadtgarten. He will perform as a host of several fantastic groups, starting with his current project “Madras Special – New Generation” followed by other special acts that feature outstanding Cologne musicians. The evening will conclude with “Keshavara,” which is led by Timid Tiger singer Keshav. Keshav‘s music ranges from relaxed electronic sounds to latent danceability.
The evening will be presented by the musicians’ collective SONIQ, marking the start of an ongoing cooperation with Stadtgarten. SONIQ’s concert series MAKROKOSMOS starts in September 2018. The group follows a visionary path, bringing together elements from disparate cultures to create a contemporary, authentic music. The artists participating in the SONIQ series will be on a musical treasure hunt, opening sound spaces, taking risks, and widening their horizons.
“….a concert in which North Argentinian Zamba or driving rhythms from Peru harmonised naturally with the subtleties and experimentation of Jazz……“
“…..Projects like SONIQ show that a mutually beneficial dialogue is possible. Perhaps this process is exactly that which will mark contemporary music of the early 21st century in retrospect – exciting.”
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