+49 221 168 413 82 ed.cisum-qinos@ofni

ARCHIPELAGO

ARCHIPELAGO

Dates:

27.10.2022 – Dortmund / Domicil

28.10.2022 – Cologne / Stadtgarten

 

Guests:

In the course of the past few years, during the Corona pandemic, the world suddenly became very small. Travelling was no longer possible and the world slipped through a fibre glass cable and behind a screen. You could listen to concerts live from all over the world in the digital space. One felt connected to colleagues everywhere who, like oneself, were stuck in their living rooms – each a bit like Robinson Crusoe on his island. The picture of the archipelago symbolizes the experienced paradox of being separate and being connected in an appropriate way.

To be able to deal as creative as possible along with these new realities of life and work and the uncertainties which have arisen also in regard to the future, SONIQ has thought about how, in spite of limited performance and production conditions, the projects, which have been carried out in annual rotation since 2016, could be continued.
The objective is to continue a lively exchange with as many international musicians as possible and yet not to ignore the (presumably continuing) limited travel opportunities. The result of these considerations is the project ARCHIPELAGO, as presented here.

The combination of gathering digitally with a global selection of musicians on one hand and a very local cooperation with artists from different genres on the other (Duo Merzouga: sound art / Uli Sigg: video art) will allow the collective to continue developing its artistic work between (musical) worlds, a process that has been going on for more than four years now. This will also guarantee – regardless of contact and travel restrictions – the broadest possible visibility of the project, since music will be audible both in the digital space and in concerts on site.

Protagonists of the Cologne collective are connected and linked to hundreds of musicians around the world. The worldwide archipelago of SONIQ friends will be invited to make short audio recordings and send them to Cologne. These artists are invited to send in fragments that reflect their current, very personal emotional state in a time between isolation and networking.

 

 

SONIQ, Merzouga & Sigg will create an artistically condensed resonance to the digitally transmitted sounds of the world and reflect them back into the digital space.

However, the protagonists are not satisfied with a digital presence only: the individual members of the collective will develop elaborate compositions for a live performance on the basis of the musical material created from the fragments. The sound composition becomes the nucleus of an experimental artistic process. This lab-like process is part of the experience and will finally result in a sensual, playful, grooving full-length concert at its best SONIQ style. SONIQ will invite the sound-art duo Merzouga – as well as the media artist Uli Sigg as an equivalent performer on-stage.

Project is sponsored by:

ORIENTAL STRINGS

Photos by Andreas Schlottmann

Type “Oriental Strings” into Google and you’ll be deluged with links to the popular app “Oriental Strings for iPad, iPhone and similar devices!”. It is a virtual sound module app for “oriental” keyboard players and other musicians who simply want to integrate the sound of the East into their music.

But the Collective SONIQ’s third project Oriental Strings was not an App and it was anything but virtual. It was real. It was acoustic. And it was handmade music! Two fine virtuosos, one from Iran, Kioomars Musayyebi, and the other from India, Hindol Deb, playing string instruments such as the Santoor and the Sitar, collaborated with SONIQ: Christina Fuchs (saxophone and clarinets), Jarry Singla (piano and harmonium) and Ramesh Shotham (percussion).

One of the challenges these artists faced during the project was finding ways to bridge the musical worlds spanning the tempered tuning of the piano, which is designed for Western harmonic music and the quarter tones of the santoor coupled with the microtones of the sitar, both instruments designed for playing modal music. Saxophones and clarinets are capable of traversing both genres of music. The percussion laid a rhythmic foundation.

With this edition, SONIQ continued on its visionary path, and brought together elements from disparate cultures to create a contemporary, authentic music. The artists participating were on a musical treasure hunt, they opened soundscapes, took risks, and widened their horizons.

Project supported by:

NUCLEUS 2022

NUCLEUS - a Soniq Project

Project with guests:

Christian Ramond (bass) & Florian Stadler (accordion)

From a galactic point of view, a nucleus is a core of a galaxy. In a metaphorical sense, it is the musicians’ collective SONIQ, which since 2016 has had a number of stars orbiting in its sphere, such as the trio Eastern Flowers and the duo flux.

While their orbits have been crossing here and there, a very special constellation on June 17, 2022 wants the three to join together in a special conjunction of stars. A rare event that can only be seen in the night sky of Gütersloh.

SONIQ Nucleus – Ramesh Shotham-perc, Christian Ramond-bass, Christina Fuchs- reeds, Florian Stadler-acc, Jarry Singla- pno, harm.

NEW FOLK SONGS 2020/21

Folk songs are authentic testimonials of language, culture and tradition. They are so called because they are sung by countless human beings across the world. The simplicity and honesty of this music and the way in which tales are told, is moving. In earlier times folk songs were spread orally: somebody would sing a song and an another would learn it. They were not associated with a particular musician or singer.

The majority of folk songs that we know are around 150 to 250 years old. Many of these songs originated during social upheavals, some through revolutions. When the question is asked, as to who created the lyrics and the melodies of folk songs, there is often no definitive answer. Cultural and regional articulation could be diverse.

Because folk music was passed on by ear and through imitation, it was in a constant process of variation and creation. Variation, new creation, playing by ear, imitation, change, creativity are core elements not only of folk music, but also of jazz and improvised music. So, it is logical that the musicians of the SONIQ Collective, all of them rooted in the cosmopolitan jazz of the 21st century, wish to take up, revive and reinvent folk music traditions in their current project.

At a time when Europe is growing together on the one hand, and nation-state thinking proliferates on the other, it is important to SONIQ that inner-European cultures communicate intensively, exchange ideas in a multilayered manner, speak with one another, sing with one another. To learn another language, or learn songs in another language, means showing empathy and being open to other traditions.

As the most direct means of musical and verbal forms of communication, Soniq and their guests chose the oral tradition for New Folk Songs: selected Norwegian and German folk songs will be learned, memorized, developed further, improvisationally changed and rearranged during rehearsals.

The emotional and content-related messages of the other culture conveyed by the songs are communicated instantly, because the cognitive “obstacles”, usually associated with reading music, are no longer present.

Rehearsals and concerts are planned in Germany during December 2021. In the spring of 2022, more concerts will follow as part of a tour through Norway, probably at the following venues: Victoria, National Jazzscene, Oslo / Cosmopolite, Oslo / Nattjazz Festival, Bergen / Dokkhuset Scene, Trondheim.

sponsored by:

PERCUSSION 2019/20

It is ancient. It reaches back into mythology and is simultaneosly an object of itself. It is universal. Whether in Asia, Africa, Europe, North or South America: the drum existed and still exists on every continent. Percussion connects different  parts of the world and at the same time separates them through the various uses and infinitely diverse forms of the instruments. To drum means nothing other than to imprint a division on the flow of time. No matter where someone is born or where one listens to music, percussion instruments are omnipresent.

Percussion! In this project, the musicians of the Collective SONIQ  – Christina Fuchs, Jarry Singla and Ramesh Shotham – paid homage to the elemental force of rhythms and drums of this earth, to the origins of music.

SONIQ invited two outstanding musicians: The Moroccan Rhani Krija, one of the most sought-after international percussionists (world stars like Sting, Dominic Miller or Al Di Meola invite him regularly), and Stefan Bauer, a vibraphonist and marimba player from North Rhine-Westphalia, who has lived in New York City for a long time. He is active in a broad field between tradition and avant-garde. He has collaborated with jazz greats such as Kenny Wheeler, Adam Nussbaum and Charlie Mariano.

„…..limitless curiosity….unbridled and spirited playing….. on the stage a lot of adventurous playing between equals…..genuine world-class musicians.“ (Stefan Pieper / Journalist)

 

Stefan Pieper

Jazzzeitung

Photos Stefan Bauer Volker Beushausen und Jürgen Bindrim

sponsored by:

AFRICA 2020

Cuisine Acoustique: the German-Indian musicians’ Collective SONIQ invited the audience to cook together with the spectacular African musicians, Balafon player Aly Keita and the Kora player and singer Prince Moussa Cissokho.
Intuitively, and with mutual admiration, the SONIQ Collective and its African guests built soundscapes to bridge their diverse musical cultures. Acoustic delicacies were on the menu. Ingredients from the individual cultures were processed and traditional aromas shined through.

The aim was to create something not experienced before: something independent, fresh, authentic and beyond all stereotypes. SONIQ: Africa – haute cuisine to spread the spirit of cosmopolitan coexistence, which is impervious to all current trends of increasing nationalism and the exclusion of people.

sponsered by: